Artwork
Seek Love
[First-Sitting, 6" x 9", painting pigments on watercolor paper, 01.04.23]
[First-Sitting, 6" x 9", painting pigments on watercolor paper, 01.04.23]
Leaving
[3" x 9", yellow, blue, and green dry painting pigments on watercolor paper, 12.17.22.]
[3" x 9", yellow, blue, and green dry painting pigments on watercolor paper, 12.17.22.]
Intuiting The Multiverse
[18" x 23", yellow, red, and ultramarine blue dry painting pigments on mixted-media paper, 11.29.22.]
[18" x 23", yellow, red, and ultramarine blue dry painting pigments on mixted-media paper, 11.29.22.]
Beyond "me-ness"
[Two etched plates. 6" x 6" each, placed next to each other and photographed, to make an intuitive map of a visualization E.S.P.'D Within Worship,
of sOMe "Spiritual-Geometry".
[Two etched plates. 6" x 6" each, placed next to each other and photographed, to make an intuitive map of a visualization E.S.P.'D Within Worship,
of sOMe "Spiritual-Geometry".
Flow
[4" x 4" x 1" metal sculpture, created with soldering wire and a 3" x 1.5" copper metal plate.
Some coiled wire was woven to the standing form of "Flow", who was built with a blow-torch also, literally, 11.06.22.]
[4" x 4" x 1" metal sculpture, created with soldering wire and a 3" x 1.5" copper metal plate.
Some coiled wire was woven to the standing form of "Flow", who was built with a blow-torch also, literally, 11.06.22.]
Photographs of a metal etching, 10.30.22
Devotional Sculpture Experiments, 10.16.22
The Girl Painting The Door of Prosperity.
[First-sitting, 10" x 14", dry painting pigments on watercolor paper, 10.14.22 to _____[underway].
[First-sitting, 10" x 14", dry painting pigments on watercolor paper, 10.14.22 to _____[underway].
Devotional Sculpture Experiments, 10.09.22
Devotional Sculpture Experiments, 10.02.22
Devotional Sculpture Experiments, 09.25.22
Devotional Sculpture Experiments, 09.18.22
Devotional Sculpture Experiments, 09.11.22
Devotional Sculpture Experiments, 09.04.22
[This is an unfinished three-dimensional-form, with some developmental pictures presented here.]
I was playing-out a focus of "an elegant [yet-fun] composition" ~
~ within each picture ~
~ and for some reason ~ E=mc2 showed-up-as motivating me,
~ via an "intuitive-understanding" of it,
through the presence of that equation within my mind,
of some curiousity.
[This is an unfinished three-dimensional-form, with some developmental pictures presented here.]
I was playing-out a focus of "an elegant [yet-fun] composition" ~
~ within each picture ~
~ and for some reason ~ E=mc2 showed-up-as motivating me,
~ via an "intuitive-understanding" of it,
through the presence of that equation within my mind,
of some curiousity.
The Blossom of Some E.S.P.'D Metal
[Wire and aluminum foil sculpture, with photo digitally manipulated/added-to. The original flower-shape is about 8" tall and 6" round, 09.03.22].
[Wire and aluminum foil sculpture, with photo digitally manipulated/added-to. The original flower-shape is about 8" tall and 6" round, 09.03.22].
A Quick Sketch, August 2022
Noticing John 17
[18" x 24", painting pigments and graphite on mix-media paper, 08.11.22 to 08.25.22. ]
[18" x 24", painting pigments and graphite on mix-media paper, 08.11.22 to 08.25.22. ]
Untitled
First sitting, blue and yellow painting pigments on watercolor paper, 07.29.22.
First sitting, blue and yellow painting pigments on watercolor paper, 07.29.22.
Drawing Dreamers Dreaming
[painting-pigments and graphite on 9" x 6" watercolor paper, 07.17.22 to 07.23.22.
[painting-pigments and graphite on 9" x 6" watercolor paper, 07.17.22 to 07.23.22.
The-Visitors
[18" x 24," red, cadmium-yellow medium, ultramarine blue, and titanium white acrylics, 06.23.22 to 07.16.22]
[18" x 24," red, cadmium-yellow medium, ultramarine blue, and titanium white acrylics, 06.23.22 to 07.16.22]
The Visitors notes [07.17.22]:
As I sit here grinning while reflecting through this image,
I find myself thinking of David Olivant and his artistic-wisdom,
as he was a painting professor of mine in college,
who always advised me of "exploration in my Mind's-Eye out-playing."
And how I interpreted his exemplar-work was itself-creative,
[back then when I was something of a lonely "piece-of-art" myself ~ I must honestly-say]
~ as it showed the expressive boundaries of consciousness "all-broken-apart" with elegance ~
while simultaneously "brought-together" cohesively <<<~~ That-IS what-is Exemplar art to me ~ without limitations practiced, cognitively ~
~ as a composition of excellence relaying his creative-rapture ~
~ of a savant-like "inner-eloquent Realized-Nature." [Yes. He was an underpaid art-professor... I mean, his art-instruction was priceless to me, forever-and-eternally.] ~
[I will now-pause for your laughter-Presently...]
And now that I-do see you are smiling-some,
at my appreciation for an art-professor of Stanislaus,
please-note That-All-That he promised me on his syllabus,
came True within a Beyond-Raptured-Awareness.
And I'd like to say I am also thankful for,
a person like that ~ who would take the time ~
to teach what is a metaphysical-gift to the human-being smart-enough,
to sign-up surrounded by farmers and some-dairy-cows...
[Yes. It was a different time-then... I mean, I learned That-Art "just-devotionally-happens within my perception." Thank you, again.]
So he is to me a person of some-spiritual-worth ~
~ who inspired me to "think-differently" ~ about everything in Heaven and on earth ~
including my-own "creative-humanity" ~ regardless of the cows and turkeys ~
and I will say "thank you" for these memories so kindly-translated "as-proud,"
and for participating in The Real-Work of The Conscious Mind Professed-Creatively-Aloud,
flowering-metaphysically within Raptured-Noticing of,
those "moments-unceasing" of inexplicable-love,
~ which does "just-happen" ~ but does-take-some time "in cognition's-translation" ~
because this writing ~ like all meaningful-endeavors-do ~ is "best-received" by a consciousness prepared-existentially.
So I suggest ~ if you are interested in reading-more of this "in-the-future" ~
to-do-so after meditating "upon-Peace" or laughter ~
~ or whenever may be better ~
and appreciating-excellence within a human-being,
of a memory worthy of retrieving.
[~O~]
...And about Revelation of a whole society. [Yes. I listened to every-word of your lectures, and thank you for that "intellectual-adventure,"
and daring me to do better.]
So, I am shooting-for "The-One-And-Only" Now [Universal-Comprehension],
and the effect of this effort has been of "A Marked-Inner-Renown" ~
for That [God] Who-IS EVERYTHING.]
[Why should I aim-low?] <<<~~~ I will now pause to allow you time to wonder about the answer to That...]
Because if anyone were to-ever take-the-time,
to really delve-deep devotionally into the artistic-and-creative content of this rhyme,
they would find there ~ all-of my teachers ~ and their voices of intuitive-excellence,
which really-does mean-something, eternally.
[~O~] ~ aMEn ~ [~O~]
[end-note]:
I was envisioning just before I wrote the above poem about the appreciative-reflections of a teacher's influence,
how that instructor might-react,
to my simple work of "copying invisible-things,"
as an artistic-practice of exploring awareness devotionally and spiritually.
...all-atop acrylic that portrays "representationally,"
human-figures symbolically-lurking wonderingly.
Because my-own critique of this work,
is: "Good job, you-tried."
Now, what can you do better next time,
to wield in-a-timely manner,
that drying-paint that has your "spiritual-architecture,"
ready within its loaded-color?
Maybe ~~~>>> just appreciate the processing imbued-within the attempt,
that looks-like a child made-it,
~ and That's-OK ~ That's-Alright ~
because The Glory of God moves-through "procedural-things" ~
as "time-stands-still" for no-living-being.
As I sit here grinning while reflecting through this image,
I find myself thinking of David Olivant and his artistic-wisdom,
as he was a painting professor of mine in college,
who always advised me of "exploration in my Mind's-Eye out-playing."
And how I interpreted his exemplar-work was itself-creative,
[back then when I was something of a lonely "piece-of-art" myself ~ I must honestly-say]
~ as it showed the expressive boundaries of consciousness "all-broken-apart" with elegance ~
while simultaneously "brought-together" cohesively <<<~~ That-IS what-is Exemplar art to me ~ without limitations practiced, cognitively ~
~ as a composition of excellence relaying his creative-rapture ~
~ of a savant-like "inner-eloquent Realized-Nature." [Yes. He was an underpaid art-professor... I mean, his art-instruction was priceless to me, forever-and-eternally.] ~
[I will now-pause for your laughter-Presently...]
And now that I-do see you are smiling-some,
at my appreciation for an art-professor of Stanislaus,
please-note That-All-That he promised me on his syllabus,
came True within a Beyond-Raptured-Awareness.
And I'd like to say I am also thankful for,
a person like that ~ who would take the time ~
to teach what is a metaphysical-gift to the human-being smart-enough,
to sign-up surrounded by farmers and some-dairy-cows...
[Yes. It was a different time-then... I mean, I learned That-Art "just-devotionally-happens within my perception." Thank you, again.]
So he is to me a person of some-spiritual-worth ~
~ who inspired me to "think-differently" ~ about everything in Heaven and on earth ~
including my-own "creative-humanity" ~ regardless of the cows and turkeys ~
and I will say "thank you" for these memories so kindly-translated "as-proud,"
and for participating in The Real-Work of The Conscious Mind Professed-Creatively-Aloud,
flowering-metaphysically within Raptured-Noticing of,
those "moments-unceasing" of inexplicable-love,
~ which does "just-happen" ~ but does-take-some time "in cognition's-translation" ~
because this writing ~ like all meaningful-endeavors-do ~ is "best-received" by a consciousness prepared-existentially.
So I suggest ~ if you are interested in reading-more of this "in-the-future" ~
to-do-so after meditating "upon-Peace" or laughter ~
~ or whenever may be better ~
and appreciating-excellence within a human-being,
of a memory worthy of retrieving.
[~O~]
...And about Revelation of a whole society. [Yes. I listened to every-word of your lectures, and thank you for that "intellectual-adventure,"
and daring me to do better.]
So, I am shooting-for "The-One-And-Only" Now [Universal-Comprehension],
and the effect of this effort has been of "A Marked-Inner-Renown" ~
for That [God] Who-IS EVERYTHING.]
[Why should I aim-low?] <<<~~~ I will now pause to allow you time to wonder about the answer to That...]
Because if anyone were to-ever take-the-time,
to really delve-deep devotionally into the artistic-and-creative content of this rhyme,
they would find there ~ all-of my teachers ~ and their voices of intuitive-excellence,
which really-does mean-something, eternally.
[~O~] ~ aMEn ~ [~O~]
[end-note]:
I was envisioning just before I wrote the above poem about the appreciative-reflections of a teacher's influence,
how that instructor might-react,
to my simple work of "copying invisible-things,"
as an artistic-practice of exploring awareness devotionally and spiritually.
...all-atop acrylic that portrays "representationally,"
human-figures symbolically-lurking wonderingly.
Because my-own critique of this work,
is: "Good job, you-tried."
Now, what can you do better next time,
to wield in-a-timely manner,
that drying-paint that has your "spiritual-architecture,"
ready within its loaded-color?
Maybe ~~~>>> just appreciate the processing imbued-within the attempt,
that looks-like a child made-it,
~ and That's-OK ~ That's-Alright ~
because The Glory of God moves-through "procedural-things" ~
as "time-stands-still" for no-living-being.
First-Seeing
[18" x 24," acrylic paints on hardboard, 06.01.22 to 06.16.22]
[18" x 24," acrylic paints on hardboard, 06.01.22 to 06.16.22]
Intuiting a Direction
9" x 12", graphite and painting pigments, on watercolor paper, 05.24.22 - 05.28.22.
9" x 12", graphite and painting pigments, on watercolor paper, 05.24.22 - 05.28.22.
Karmic Awareness
9" x 6", painting pigments and graphite, on watercolor paper, 04.28.22 to 05.05.22.
9" x 6", painting pigments and graphite, on watercolor paper, 04.28.22 to 05.05.22.
A Work in Progress
[18" x 24", painting pigments, on mixed-media paper, 04.16.22]
[18" x 24", painting pigments, on mixed-media paper, 04.16.22]
Intuitions ~ OF ~ "Behind the Scene", unfinished
[First sitting, 18" x 24", graphite and painting pigment, on watercolor paper, 04.03.22]
[First sitting, 18" x 24", graphite and painting pigment, on watercolor paper, 04.03.22]
[ADJUSTING-THINGS]
[First-sitting, 18" x 24," painting pigments and graphite, on mixed-media paper] ~ [begun][03.24.22]
[First-sitting, 18" x 24," painting pigments and graphite, on mixed-media paper] ~ [begun][03.24.22]
[Personification][and][first-second-third][persons] ~
[18" x 24," graphite and painting pigments, on watercolor paper][begun 03.12.22][.]
[18" x 24," graphite and painting pigments, on watercolor paper][begun 03.12.22][.]
~ OF ~ [THE-PRESENCE] ~
[work-in-progress][18" x 24"][graphite-and-painting-pigments][on-watercolor-paper][02.26.22] ~~~>>> [finished][03.12.22][.]
[work-in-progress][18" x 24"][graphite-and-painting-pigments][on-watercolor-paper][02.26.22] ~~~>>> [finished][03.12.22][.]
The Genie ~ OF ~ Eden
[18" x 24," graphite and painting pigments, on watercolor paper, begun 02.08.22, in progress...]
[18" x 24," graphite and painting pigments, on watercolor paper, begun 02.08.22, in progress...]

"WE SEE ME AND HE." Spontaneous-Reflective-Reference, Through The Presence, after 'Within-Meditation,' 08/18/21, evening. This Drawing-Through was a Reflection, after Within-Meditation, wherein 'I' was Aware-Beyond 'me,' and SAW-"WE," Telling 'me' About-Our-Intuitive-Vision (Intuition). Please note: 'I' was aware of the fact, that the 'individual'-Communicating, has 'some-"THING" to do Reflectively-Through, with an "Ancient-Cave-Drawing, of a 'Bison,' or large 'animal,' and the 'idea' of a tattoo of "The-Thing," was Presented to 'me.' The "Ancient-Animal," is just above the words "Me" and "And."

"Spiritual-Translation," second-sitting, spontaneous Reflective-Reference Drawing Through The Presence. Apparently, 'Spiritual-Stoplights,' as symbols within this intuitive-work, are 'under-examination.' (Please note: Writing about this piece, and all art on this website, is usually found within the Symbol Notebook.)