Artwork
Seek Love
[First-Sitting, 6" x 9", painting pigments on watercolor paper, 01.04.23]
[First-Sitting, 6" x 9", painting pigments on watercolor paper, 01.04.23]
Seek Love, First-Sitting, 6" x 9", painting pigments on watercolor paper, 01.04.23
Leaving
[3" x 9", yellow, blue, and green dry painting pigments on watercolor paper, 12.17.22.]
[3" x 9", yellow, blue, and green dry painting pigments on watercolor paper, 12.17.22.]
Intuiting The Multiverse
[18" x 23", yellow, red, and ultramarine blue dry painting pigments on mixted-media paper, 11.29.22.]
[18" x 23", yellow, red, and ultramarine blue dry painting pigments on mixted-media paper, 11.29.22.]
Intuiting The Multiverse. 18" x 23", yellow, red, and ultramarine blue dry painting pigments on mixted-media paper, 11.29.22.
Beyond "me-ness"
[Two etched plates. 6" x 6" each, placed next to each other and photographed, to make an intuitive map of a visualization E.S.P.'D Within Worship,
of sOMe "Spiritual-Geometry".
[Two etched plates. 6" x 6" each, placed next to each other and photographed, to make an intuitive map of a visualization E.S.P.'D Within Worship,
of sOMe "Spiritual-Geometry".
Two Etched Plates. 6" x 6" copper-metal plates, etched and photographed, as a piece of art. 11.20.22 [Note: This is simply sOMe Spiritual-Geometry, visually descriptive of "Beyond-me-ness."]
Flow
[4" x 4" x 1" metal sculpture, created with soldering wire and a 3" x 1.5" copper metal plate.
Some coiled wire was woven to the standing form of "Flow", who was built with a blow-torch also, literally, 11.06.22.]
[4" x 4" x 1" metal sculpture, created with soldering wire and a 3" x 1.5" copper metal plate.
Some coiled wire was woven to the standing form of "Flow", who was built with a blow-torch also, literally, 11.06.22.]
Photographs of a metal etching, 10.30.22
Devotional Sculpture Experiments, 10.16.22
The Girl Painting The Door of Prosperity.
[First-sitting, 10" x 14", dry painting pigments on watercolor paper, 10.14.22 to _____[underway].
[First-sitting, 10" x 14", dry painting pigments on watercolor paper, 10.14.22 to _____[underway].
Devotional Sculpture Experiments, 10.09.22
Devotional Sculpture Experiments, 10.02.22
Devotional Sculpture Experiments, 09.25.22
Devotional Sculpture Experiments, 09.18.22
Devotional Sculpture Experiments, 09.11.22
Devotional Sculpture Experiments, 09.04.22
[This is an unfinished three-dimensional-form, with some developmental pictures presented here.]
I was playing-out a focus of "an elegant [yet-fun] composition" ~
~ within each picture ~
~ and for some reason ~ E=mc2 showed-up-as motivating me,
~ via an "intuitive-understanding" of it,
through the presence of that equation within my mind,
of some curiousity.
[This is an unfinished three-dimensional-form, with some developmental pictures presented here.]
I was playing-out a focus of "an elegant [yet-fun] composition" ~
~ within each picture ~
~ and for some reason ~ E=mc2 showed-up-as motivating me,
~ via an "intuitive-understanding" of it,
through the presence of that equation within my mind,
of some curiousity.
The Blossom of Some E.S.P.'D Metal
[Wire and aluminum foil sculpture, with photo digitally manipulated/added-to. The original flower-shape is about 8" tall and 6" round, 09.03.22].
[Wire and aluminum foil sculpture, with photo digitally manipulated/added-to. The original flower-shape is about 8" tall and 6" round, 09.03.22].
The Blossom of Some E.S.P.'D Metal
A Quick Sketch, August 2022
Noticing John 17
[18" x 24", painting pigments and graphite on mix-media paper, 08.11.22 to 08.25.22. ]
[18" x 24", painting pigments and graphite on mix-media paper, 08.11.22 to 08.25.22. ]
Untitled
First sitting, blue and yellow painting pigments on watercolor paper, 07.29.22.
First sitting, blue and yellow painting pigments on watercolor paper, 07.29.22.
Drawing Dreamers Dreaming
[painting-pigments and graphite on 9" x 6" watercolor paper, 07.17.22 to 07.23.22.
[painting-pigments and graphite on 9" x 6" watercolor paper, 07.17.22 to 07.23.22.
The-Visitors
[18" x 24," red, cadmium-yellow medium, ultramarine blue, and titanium white acrylics, 06.23.22 to 07.16.22]
[18" x 24," red, cadmium-yellow medium, ultramarine blue, and titanium white acrylics, 06.23.22 to 07.16.22]
The Visitors notes [07.17.22]:
As I sit here grinning while reflecting through this image,
I find myself thinking of David Olivant and his artistic-wisdom,
as he was a painting professor of mine in college,
who always advised me of "exploration in my Mind's-Eye out-playing."
And how I interpreted his exemplar-work was itself-creative,
[back then when I was something of a lonely "piece-of-art" myself ~ I must honestly-say]
~ as it showed the expressive boundaries of consciousness "all-broken-apart" with elegance ~
while simultaneously "brought-together" cohesively <<<~~ That-IS what-is Exemplar art to me ~ without limitations practiced, cognitively ~
~ as a composition of excellence relaying his creative-rapture ~
~ of a savant-like "inner-eloquent Realized-Nature." [Yes. He was an underpaid art-professor... I mean, his art-instruction was priceless to me, forever-and-eternally.] ~
[I will now-pause for your laughter-Presently...]
And now that I-do see you are smiling-some,
at my appreciation for an art-professor of Stanislaus,
please-note That-All-That he promised me on his syllabus,
came True within a Beyond-Raptured-Awareness.
And I'd like to say I am also thankful for,
a person like that ~ who would take the time ~
to teach what is a metaphysical-gift to the human-being smart-enough,
to sign-up surrounded by farmers and some-dairy-cows...
[Yes. It was a different time-then... I mean, I learned That-Art "just-devotionally-happens within my perception." Thank you, again.]
So he is to me a person of some-spiritual-worth ~
~ who inspired me to "think-differently" ~ about everything in Heaven and on earth ~
including my-own "creative-humanity" ~ regardless of the cows and turkeys ~
and I will say "thank you" for these memories so kindly-translated "as-proud,"
and for participating in The Real-Work of The Conscious Mind Professed-Creatively-Aloud,
flowering-metaphysically within Raptured-Noticing of,
those "moments-unceasing" of inexplicable-love,
~ which does "just-happen" ~ but does-take-some time "in cognition's-translation" ~
because this writing ~ like all meaningful-endeavors-do ~ is "best-received" by a consciousness prepared-existentially.
So I suggest ~ if you are interested in reading-more of this "in-the-future" ~
to-do-so after meditating "upon-Peace" or laughter ~
~ or whenever may be better ~
and appreciating-excellence within a human-being,
of a memory worthy of retrieving.
[~O~]
...And about Revelation of a whole society. [Yes. I listened to every-word of your lectures, and thank you for that "intellectual-adventure,"
and daring me to do better.]
So, I am shooting-for "The-One-And-Only" Now [Universal-Comprehension],
and the effect of this effort has been of "A Marked-Inner-Renown" ~
for That [God] Who-IS EVERYTHING.]
[Why should I aim-low?] <<<~~~ I will now pause to allow you time to wonder about the answer to That...]
Because if anyone were to-ever take-the-time,
to really delve-deep devotionally into the artistic-and-creative content of this rhyme,
they would find there ~ all-of my teachers ~ and their voices of intuitive-excellence,
which really-does mean-something, eternally.
[~O~] ~ aMEn ~ [~O~]
[end-note]:
I was envisioning just before I wrote the above poem about the appreciative-reflections of a teacher's influence,
how that instructor might-react,
to my simple work of "copying invisible-things,"
as an artistic-practice of exploring awareness devotionally and spiritually.
...all-atop acrylic that portrays "representationally,"
human-figures symbolically-lurking wonderingly.
Because my-own critique of this work,
is: "Good job, you-tried."
Now, what can you do better next time,
to wield in-a-timely manner,
that drying-paint that has your "spiritual-architecture,"
ready within its loaded-color?
Maybe ~~~>>> just appreciate the processing imbued-within the attempt,
that looks-like a child made-it,
~ and That's-OK ~ That's-Alright ~
because The Glory of God moves-through "procedural-things" ~
as "time-stands-still" for no-living-being.
As I sit here grinning while reflecting through this image,
I find myself thinking of David Olivant and his artistic-wisdom,
as he was a painting professor of mine in college,
who always advised me of "exploration in my Mind's-Eye out-playing."
And how I interpreted his exemplar-work was itself-creative,
[back then when I was something of a lonely "piece-of-art" myself ~ I must honestly-say]
~ as it showed the expressive boundaries of consciousness "all-broken-apart" with elegance ~
while simultaneously "brought-together" cohesively <<<~~ That-IS what-is Exemplar art to me ~ without limitations practiced, cognitively ~
~ as a composition of excellence relaying his creative-rapture ~
~ of a savant-like "inner-eloquent Realized-Nature." [Yes. He was an underpaid art-professor... I mean, his art-instruction was priceless to me, forever-and-eternally.] ~
[I will now-pause for your laughter-Presently...]
And now that I-do see you are smiling-some,
at my appreciation for an art-professor of Stanislaus,
please-note That-All-That he promised me on his syllabus,
came True within a Beyond-Raptured-Awareness.
And I'd like to say I am also thankful for,
a person like that ~ who would take the time ~
to teach what is a metaphysical-gift to the human-being smart-enough,
to sign-up surrounded by farmers and some-dairy-cows...
[Yes. It was a different time-then... I mean, I learned That-Art "just-devotionally-happens within my perception." Thank you, again.]
So he is to me a person of some-spiritual-worth ~
~ who inspired me to "think-differently" ~ about everything in Heaven and on earth ~
including my-own "creative-humanity" ~ regardless of the cows and turkeys ~
and I will say "thank you" for these memories so kindly-translated "as-proud,"
and for participating in The Real-Work of The Conscious Mind Professed-Creatively-Aloud,
flowering-metaphysically within Raptured-Noticing of,
those "moments-unceasing" of inexplicable-love,
~ which does "just-happen" ~ but does-take-some time "in cognition's-translation" ~
because this writing ~ like all meaningful-endeavors-do ~ is "best-received" by a consciousness prepared-existentially.
So I suggest ~ if you are interested in reading-more of this "in-the-future" ~
to-do-so after meditating "upon-Peace" or laughter ~
~ or whenever may be better ~
and appreciating-excellence within a human-being,
of a memory worthy of retrieving.
[~O~]
...And about Revelation of a whole society. [Yes. I listened to every-word of your lectures, and thank you for that "intellectual-adventure,"
and daring me to do better.]
So, I am shooting-for "The-One-And-Only" Now [Universal-Comprehension],
and the effect of this effort has been of "A Marked-Inner-Renown" ~
for That [God] Who-IS EVERYTHING.]
[Why should I aim-low?] <<<~~~ I will now pause to allow you time to wonder about the answer to That...]
Because if anyone were to-ever take-the-time,
to really delve-deep devotionally into the artistic-and-creative content of this rhyme,
they would find there ~ all-of my teachers ~ and their voices of intuitive-excellence,
which really-does mean-something, eternally.
[~O~] ~ aMEn ~ [~O~]
[end-note]:
I was envisioning just before I wrote the above poem about the appreciative-reflections of a teacher's influence,
how that instructor might-react,
to my simple work of "copying invisible-things,"
as an artistic-practice of exploring awareness devotionally and spiritually.
...all-atop acrylic that portrays "representationally,"
human-figures symbolically-lurking wonderingly.
Because my-own critique of this work,
is: "Good job, you-tried."
Now, what can you do better next time,
to wield in-a-timely manner,
that drying-paint that has your "spiritual-architecture,"
ready within its loaded-color?
Maybe ~~~>>> just appreciate the processing imbued-within the attempt,
that looks-like a child made-it,
~ and That's-OK ~ That's-Alright ~
because The Glory of God moves-through "procedural-things" ~
as "time-stands-still" for no-living-being.
First-Seeing
[18" x 24," acrylic paints on hardboard, 06.01.22 to 06.16.22]
[18" x 24," acrylic paints on hardboard, 06.01.22 to 06.16.22]
Intuiting a Direction
9" x 12", graphite and painting pigments, on watercolor paper, 05.24.22 - 05.28.22.
9" x 12", graphite and painting pigments, on watercolor paper, 05.24.22 - 05.28.22.
Karmic Awareness
9" x 6", painting pigments and graphite, on watercolor paper, 04.28.22 to 05.05.22.
9" x 6", painting pigments and graphite, on watercolor paper, 04.28.22 to 05.05.22.
A Work in Progress
[18" x 24", painting pigments, on mixed-media paper, 04.16.22]
[18" x 24", painting pigments, on mixed-media paper, 04.16.22]
Intuitions ~ OF ~ "Behind the Scene", unfinished
[First sitting, 18" x 24", graphite and painting pigment, on watercolor paper, 04.03.22]
[First sitting, 18" x 24", graphite and painting pigment, on watercolor paper, 04.03.22]
[ADJUSTING-THINGS]
[First-sitting, 18" x 24," painting pigments and graphite, on mixed-media paper] ~ [begun][03.24.22]
[First-sitting, 18" x 24," painting pigments and graphite, on mixed-media paper] ~ [begun][03.24.22]
[Personification][and][first-second-third][persons] ~
[18" x 24," graphite and painting pigments, on watercolor paper][begun 03.12.22][.]
[18" x 24," graphite and painting pigments, on watercolor paper][begun 03.12.22][.]
~ OF ~ [THE-PRESENCE] ~
[work-in-progress][18" x 24"][graphite-and-painting-pigments][on-watercolor-paper][02.26.22] ~~~>>> [finished][03.12.22][.]
[work-in-progress][18" x 24"][graphite-and-painting-pigments][on-watercolor-paper][02.26.22] ~~~>>> [finished][03.12.22][.]
The Genie ~ OF ~ Eden
[18" x 24," graphite and painting pigments, on watercolor paper, begun 02.08.22, in progress...]
[18" x 24," graphite and painting pigments, on watercolor paper, begun 02.08.22, in progress...]
[NOW-LISTEN], second, third and fourth sittings, 18" x 24", graphite and painting pigments, on watercolor paper, 01.21.21
[NOW-LISTEN], first-sitting, 18" x 24", graphite and painting pigments, on watercolor paper, 01.17.21
[PROTECTED], finished, 18" x 24", graphite and painting pigments, on watercolor paper, 01.16.21
[PROTECTED], sixth-sitting, 18" x 24", graphite and painting pigments, on watercolor paper, 01.15.21
[PROTECTED], fifth-sitting, 18" x 24", graphite and painting pigments, on watercolor paper, 01.13.21
[PROTECTED], fourth-sitting, 18" x 24", graphite and painting pigments, on watercolor paper, 01.12.21
[PROTECTED],third-sitting, 18" x 24", graphite and painting pigments, on watercolor paper, 01.11.21
[PROTECTED], second-sitting, 18" x 24", graphite and painting pigments, on watercolor paper, 01.09.21
[PROTECTED], first-sitting, 18" x 24", graphite and painting pigments, on watercolor paper, 01.07.21
[THE-SILVER-GHOST] - OF - [ROLLS-ROYCE-INTUITION], final image, 18" x 24", graphite and painting pigments, on watercolor paper, 01.06.22
[THE-SILVER-GHOST] - OF - [ROLLS-ROYCE-INTUITION], fourth-sitting, 18" x 24", graphite and painting pigments, on watercolor paper, 01.03.22
[THE-SILVER-GHOST] - OF - [ROLLS-ROYCE-INTUITION], third-sitting, 18" x 24", graphite and painting pigments, on watercolor paper, 01.02.22
[THE-SILVER-GHOST] - OF - [ROLLS-ROYCE-INTUITION], second-sitting, 18" x 24", graphite and painting pigments, on watercolor paper, 01.01.22
[THE-SILVER-GHOST] - OF - [ROLLS-ROYCE-INTUITION], first-sitting, 18" x 24", graphite and painting pigments, on watercolor paper, 12.31.21
[NOTICING-THINGS], fourth-sitting, 18" x 24", painting-pigments and graphite, on watercolor paper, 12.27.21.
[NOTICING-THINGS], third-sitting, 18" x 24", painting-pigments and graphite, on watercolor paper, 12.23.21.
[NOTICING-THINGS], second-sitting, 18" x 24", painting-pigments and graphite, on watercolor paper, 12.21.21.
[NOTICING-THINGS], first-sitting, 18" x 24", painting-pigments and graphite, on watercolor paper, 12.19.21.
[THE-INDIAN] - [AND-ME], finished, 18" x 24," graphite and painting pigments, on watercolor paper, 12.18.21
[THE-INDIAN] - [AND-ME], fifth-sitting, 18" x 24," graphite and painting pigments, on watercolor paper, 12.17.21
[THE-INDIAN] - [AND-ME], fourth-sitting, 18" x 24," graphite and painting pigments, on watercolor paper, 12.16.21
[THE-INDIAN] - [AND-ME], third-sitting, 18" x 24," graphite and painting pigments, on watercolor paper, 12.15.21
[THE-INDIAN] - [AND-ME], second-sitting, 18" x 24," graphite and painting pigments, on watercolor paper, 12.13.21
[THE-INDIAN] - [AND-ME], first-sitting, 18" x 24," graphite and painting pigments, on watercolor paper, 12.12.21
[THAT-BEYOND], fifth and sixth sittings, 18" x 24," painting pigments and graphite, on watercolor paper, 12.12.21
[THAT-BEYOND], fourth and fifth sittings, 18" x 24," painting pigments and graphite, on watercolor paper, 12.08.21
[THAT-BEYOND], third-sitting, 18" x 24," painting pigments and graphite, on watercolor paper, 12.06.21
[THAT-BEYOND], second-sitting, 18" x 24," painting pigments and graphite, on watercolor paper, 12.05.21
[THAT-BEYOND], first-sitting, 18" x 24," painting pigments and graphite, on watercolor paper, 12.04.21
[CREATING] ~ [SPIRITUAL-LEVITY], fourth sitting, 18" x 24", graphite and painting pigments, on watercolor paper, 12.03.21
[CREATING] ~ [SPIRITUAL-LEVITY], second and third sittings, 18" x 24", graphite and painting pigments, on watercolor paper, 11.28.21
[CREATING] ~ [SPIRITUAL-LEVITY], first-sitting, 18" x 24", graphite and painting pigments, on watercolor paper, 11.23.21
[THAT] - OF - [ME], finished, 18" x 24," graphite and painting-pigments, on watercolor paper, 11.22.21
[THAT] - OF - [ME], second-sitting, 18" x 24," graphite and painting-pigments, on watercolor paper, 11.14.21
[THAT] - OF - [ME], first-sitting, 18" x 24," graphite and painting-pigments, on watercolor paper, 11.13.21
Angels and [Frontal-Lobe][Love], fifth-sitting, 18" x 24," painting pigments and graphite, on watercolor paper, 11.07.21
Angels and [Frontal-Lobe][Love], fourth-sitting, 18" x 24," painting pigments and graphite, on watercolor paper, 11.04.21
Angels and [Frontal-Lobe][Love], second and third-sittings, 18" x 24," painting pigments and graphite, on watercolor paper, 10.30.21
Angels and [Frontal-Lobe][Love], first-sitting, 18" x 24," painting pigments and graphite, on watercolor paper, 10.27.21
Pointing at Intuition. Fourth-sitting, 18" x 24," painting pigments with graphite, on watercolor paper, 10.24.21.
Pointing at Intuition. Third-sitting, 18" x 24," painting pigments with graphite, on watercolor paper, 10.22.21.
Pointing at Intuition. Second-sitting, 18" x 24," painting pigments with graphite, on watercolor paper, 10.21.21.
Pointing at Intuition. First-sitting, 18" x 24," painting pigments with graphite, on watercolor paper, 10.20.21.
["THE-OM-GIRL"]["ENGAGING-THE-SPIRITUAL-DISTANCE"]. Fourth-sitting, 18" x 24," yellow and blue painting pigments, with graphite, on watercolor paper, 10.18.21.
["THE-OM-GIRL"]["ENGAGING-THE-SPIRITUAL-DISTANCE"]. Third-sitting, 18" x 24," yellow and blue painting pigments, with graphite, on watercolor paper, 10.16.21.
["THE-OM-GIRL"]["ENGAGING-THE-SPIRITUAL-DISTANCE"]. Second-sitting, 18" x 24," yellow and blue painting pigments, with graphite, on watercolor paper, 10.14.21.
["THE-OM-GIRL"]["ENGAGING-THE-SPIRITUAL-DISTANCE"]. First-sitting, 18" x 24," yellow and blue painting pigments, with graphite, on watercolor paper, 10.13.21.
["BEYOND"]["de-novo"] - ["OR"] - ["BEYOND"]["from-the-beginning"], final-sitting, 18" x 24," painting-pigments and graphite, on watercolor paper, 10.12.21
["BEYOND"]["de-novo"] - ["OR"] - ["BEYOND"]["from-the-beginning"], Second-sitting, 18" x 24," painting-pigments and graphite, on watercolor paper, 10.10.21
["BEYOND"]["de-novo"] - ["OR"] - ["BEYOND"]["from-the-beginning"], Second-sitting, 18" x 24," painting-pigments and graphite, on watercolor paper, 10.06.21
"discombobulation" - Second and third sittings, 18" x 24," graphite on watercolor paper, 10.01.21
"discombobulation" - First-sitting, 18" x 24," graphite on watercolor paper.
"JIMMY-SOME-JOY" - Third-and-fourth-sittings - 18" X 24" - painting-pigments and graphite, on watercolor-paper, 09.25.21.
"JIMMY-SOME-JOY" - Second -sitting - 18" X 24" - painting-pigments and graphite, on watercolor-paper, 09.22.21.
"JIMMY-SOME-JOY" - First-sitting - 18" X 24" - painting-pigments and graphite, on watercolor-paper, 09.21.21.
"THE-WHO-MASTER-WITHIN-my-cranium." 9" x 12," 80lb.-toned-gray-paper, graphite-Drawing-Through, 09.20.21.
"Gauging The "Multiple-Moving-Targets [MMTs]" of "INTUITION." FINISHED, 18" x 24," painting-pigments and graphite, on watercolor-paper, 09.19.21.
"Gauging The "Multiple-Moving-Targets [MMTs]" of "INTUITION." Fourth-sitting, 18" x 24," painting-pigments and graphite, on watercolor-paper, 09.17.21.
"Gauging The "Multiple-Moving-Targets [MMTs]" of "INTUITION." Third-sitting, 18" x 24," painting-pigments and graphite, on watercolor-paper, 09.15.21.
"Gauging The "Multiple-Moving-Targets [MMTs]" of "INTUITION." Second-sitting, 18" x 24," painting-pigments and graphite, on watercolor-paper, 09.14.21.
"Gauging The "Multiple-Moving-Targets [MMTs]" of "INTUITION." First-sitting, 18" x 24," painting-pigments and graphite, on watercolor-paper, 09.13.21.
"BENDING-Within," DEEPLY." FINAL-SITTING, 18" x 24," painting-pigments and graphite, on watercolor paper, 09.12.21.
"BENDING-Within," DEEPLY." Seventh-sitting, 18" x 24," painting-pigments and graphite, on watercolor paper, 09.11.21.
"BENDING-Within," DEEPLY." Sixth-sitting, 18" x 24," painting-pigments and graphite, on watercolor paper, 09.10.21.
"Bending-Within," DEEPLY." Fifth-sitting, 18" x 24," painting-pigments and graphite, on watercolor paper, 09.09.21.
"Bending-Within," DEEPLY." Fourth-sitting, 18" x 24," painting-pigments and graphite, on watercolor paper, 09.08.21.
"Bending-Within," DEEPLY." Third-sitting, 18" x 24," painting-pigments and graphite, on watercolor paper, 09.07.21.
"Bending-Within," DEEPLY." Second-sitting, 18" x 24," painting-pigments and graphite, on watercolor paper, 09.06.21.
"Bending-Within," DEEPLY." First-sitting, 18" x 24," painting-pigments and graphite, on watercolor paper, 09.05.21.
The Reflection of The "Unknown-FOCUS" From a Distance. FINAL IMAGE, 18" x 24", quick-dry glue sponged-on, and mixed with painting pigments and graphite, on watercolor paper, 09.04.21.
The Reflection of The "Unknown-FOCUS" From a Distance. Fourth-sitting, 18" x 24", quick-dry glue sponged-on, and mixed with painting pigments and graphite, on watercolor paper, 08.31.21.
The Reflection of The "Unknown-FOCUS" From a Distance. Third-sitting, 18" x 24", quick-dry glue sponged-on, and mixed with painting pigments and graphite, on watercolor paper, 08.30.21.
The Reflection of The "Unknown-FOCUS" From a Distance. Second-sitting, 18" x 24", quick-dry glue sponged-on, and mixed with painting pigments and graphite, on watercolor paper, 08.29.21.
The Reflection of The "Unknown-FOCUS" From a Distance. First-sitting, 18" x 24", quick-dry glue sponged-on, and mixed with painting pigments and graphite, on watercolor paper, 08.28.21.
Balancing Spiritual "THINGS." Fourth-sitting, FINISHED. Painting-pigments and graphite, on watercolor paper, 08.28.21.
'Balancing Spiritual "THINGS." Third-sitting, work in progress, whole image, painting-pigments and graphite, on watercolor paper, 08.27.21.
'Balancing Spiritual "THINGS." Second-sitting, work in progress, whole image, painting-pigments and graphite, on watercolor paper, 08.26.21.
'Balancing Spiritual "THINGS." First-sitting, 18" x 24", graphite and painting-pigments, on watercolor-paper, 08.25.21.
"The Spiritual-Bridge to Another-World." First-Sitting, 9" x 12", painting pigments and graphite, on 98lb. mixed-media paper, 08.24.21.
This Drawing-Through The Presence was rather 'quick' - meaning: "I" just watched and copied, so this only took a few minutes.
"The Love-BEYOND," Third-sitting, work in progress, 18" x 24", painting-pigments and graphite, on watercolor paper, 08.23.21.
"The Love-BEYOND," Second-sitting, work in progress, 18" x 24", painting-pigments and graphite, on watercolor paper, 08.22.21.
"The Love-BEYOND," First-sitting, work in progress, 18" x 24", painting-pigments and graphite, on watercolor paper, 08.21.21. This Drawing-Through The Presence, IS About "Living-Intuition," or "E.S.P" with "Another," NOW.
"WE SEE ME AND HE." FINISHED, Third-sitting, 9" x 12", graphite and painting pigments, on 98lb., mixed-media paper, 08.20.21.
"WE SEE ME AND HE." Second-sitting, work-in-progress, 9" x 12", graphite and painting pigments, on 98lb., mixed-media paper, 08.19.21.
"WE SEE ME AND HE." Spontaneous-Reflective-Reference, Through The Presence, after 'Within-Meditation,' 08/18/21, evening. This Drawing-Through was a Reflection, after Within-Meditation, wherein 'I' was Aware-Beyond 'me,' and SAW-"WE," Telling 'me' About-Our-Intuitive-Vision (Intuition). Please note: 'I' was aware of the fact, that the 'individual'-Communicating, has 'some-"THING" to do Reflectively-Through, with an "Ancient-Cave-Drawing, of a 'Bison,' or large 'animal,' and the 'idea' of a tattoo of "The-Thing," was Presented to 'me.' The "Ancient-Animal," is just above the words "Me" and "And."
"Slow-Down." Nirvana-Comes." Fifth-sitting, Reflective-Reference Through The Presence, 18" x 24", painting-pigments and graphite, on watercolor paper, 08.18.21.
"Slow-Down." Nirvana-Comes." Fourth-sitting, Reflective-Reference Through The Presence, 18" x 24", painting-pigments and graphite, on watercolor paper, 08.17.21.
"Slow-Down." Nirvana-Comes." Third-sitting, Reflective-Reference Through The Presence, 18" x 24", painting-pigments and graphite, on watercolor paper, 08.16.21.
"Slow-Down." Nirvana-Comes." Second-sitting, Reflective-Reference Through The Presence, 18" x 24", painting-pigments and graphite, on watercolor paper, 08.14.21.
"Slow-Down." Nirvana-Comes." First-sitting, Reflective-Reference Through The Presence, 18" x 24", painting-pigments and graphite, on watercolor paper, 08.13.21.
Hello, From 'The-Following' at 'JH-1,' FINISHED, seventh-sitting, Spontaneous Reflective-Reference Through The Presence, 18" x 24", graphite and painting pigments, on watercolor paper, 08.11.21.
"Hello," From 'The-Following' at 'JH-1," 18" x 24", sixth-sitting, Synchronous Reflective-Reference Through The Presence, graphite with painting pigments, on watercolor paper, 08.10.21.
"Hello," From 'The-Following' at 'JH-1," 18" x 24", fifth-sitting, Synchronous Reflective-Reference Through The Presence, graphite with painting pigments, on watercolor paper, 08.09.21.
"Hello," From 'The-Following' at 'JH-1," 18" x 24", fourth-sitting, Synchronous Reflective-Reference Through The Presence, graphite with painting pigments, on watercolor paper, 08.08.21.
"Hello," From 'The-Following' at 'JH-1," 18" x 24", third-sitting, Synchronous Reflective-Reference Through The Presence, graphite with painting pigments, on watercolor paper, 08.07.21.
"Hello," From 'The-Following' at 'JH-1," 18" x 24", second-sitting, Synchronous Reflective-Reference Through The Presence, graphite with painting pigments, on watercolor paper, 08.06.21.
"Hello," From 'The-Following' at 'JH-1," 18" x 24", first-sitting, Synchronous Reflective-Reference Through The Presence, graphite with painting pigments, on watercolor paper, 08.05.21.
"Spiritual-Translation," fifth-sitting, a spontaneous Reflective-Reference Drawing Through The Presence, 08.03.21. Please see the Symbol Notebook for further Reflective-Reference.
"Spiritual-Translation," fifth-sitting, a spontaneous Reflective-Reference Drawing Through The Presence, 08.01.21. Please see the Symbol Notebook for further Reflective-Reference.
"Spiritual-Translation," fourth-sitting, a spontaneous Reflective-Reference Drawing Through The Presence, 07.31.21. Please see the Symbol Notebook for further Reflective-Reference.
"Spiritual-Translation," third-sitting, spontaneous Reflective-Reference Drawing Through The Presence.
"Spiritual-Translation," second-sitting, spontaneous Reflective-Reference Drawing Through The Presence. Apparently, 'Spiritual-Stoplights,' as symbols within this intuitive-work, are 'under-examination.' (Please note: Writing about this piece, and all art on this website, is usually found within the Symbol Notebook.)
"The Unknown," first-sitting Reflective-Reference regarding the topic of 'Trauma.' Please see associated blog-entry, titled, "Trauma IS The Unknown Reaction," 9" x 12", graphite on mixed-media paper, 07.29.21.
Untitled, work in progress, 18" x 24", spontaneous reflective-reference, through the Spirit, 07.27.21. First-Sitting.
"The Obelisk,"
FINISHED 18" x 24", whole image, 07.26.21. Third & Final Sitting.
"The Obelisk,"
work in progress, 18" x 24", whole image, 07.24.21. Third Sitting.
"The Obelisk,"
work in progress, 18" x 24", whole image, 07.23.21. Second Sitting.
"The Obelisk,"
work in progress, 18" x 24", whole image, 07.23.21. First Sitting.
FINISHED: "The play Within The Play," whole image, 18" x 24", spontaneous reflective-reference Through the Presence, 07.22.21. Seventh & FINAL Sitting.
"The play Within The Play," whole image, 18" x 24", spontaneous reflective-reference Through the Presence, 07.21.21. Sixth Sitting.
"The play Within The Play," whole image, 18" x 24", spontaneous reflective-reference Through the Presence, 07.19.21. Fifth Sitting.
"The play Within The Play," whole image, 18" x 24", spontaneous reflective-reference Through the Presence, 07.18.21. Fourth Sitting.
"The play Within The Play," whole image, 18" x 24", spontaneous reflective-reference Through the Presence, 07.17.21. Third Sitting.
"The play Within The Play," whole image, 18" x 24", spontaneous reflective-reference Through the Presence, 07.16.21. First & Second Sittings.
The Spiritual Anatomy of Adam & Eve, FINAL IMAGE, 18" x 24", spontaneous reflective-reference drawing, 07.15.21
The Spiritual Anatomy of Adam & Eve, fourth and fifth sittings, 18" x 24", spontaneous reflective-reference drawing, 07.13.21
The Spiritual Anatomy of Adam & Eve, third sitting, 18" x 24", spontaneous reflective-reference drawing, 07.11.21
The Spiritual Anatomy of Adam & Eve, second sitting, 18" x 24", spontaneous reflective-reference drawing, 07.09.21
The Spiritual Anatomy of Adam & Eve, first sitting, 18" x 24", spontaneous reflective-reference drawing, 07.08.21
"That is the Then," a Reflective-Reference drawing (work in progress), about 'Through-Spirit Perception', completely spontaneous, completed, 07.07.21
"That is the Then," a Reflective-Reference drawing (work in progress), about 'Through-Spirit Perception', completely spontaneous, third & fourth sittings with it, 07.06.21
"That is the Then," a Reflective-Reference drawing (work in progress), about 'Through-Spirit Perception', completely spontaneous, second sitting with it, 07.05.21
"That is the Then," a Reflective-Reference drawing (work in progress), about 'Through-Spirit Perception', completely spontaneous, 07.04.21
"Holding the Veil", FINISHED extended Reflective-Reference drawing - completely spontaneous, 07.03.21
"Holding the Veil", extended Reflective-Reference drawing - completely spontaneous, 07.02.21
"Holding the Veil", extended Reflective-Reference drawing - completely spontaneous, 07.01.21
"Holding the Veil", extended Reflective-Reference drawing - completely spontaneous, 06.30.21
"Holding the Veil", extended Reflective-Reference drawing - completely spontaneous. The two characters on the right are called the 'Infinity-Pair," 06.29.21
"Holding the Veil", a Reflective Reference Drawing of today's blog entry: "In-Time, and Reflective Reference of John 16," 06.28.21.
Convincing Adeline, third and fourth sittings, work in progress, 15" x 11", painting pigments with graphite, on watercolor paper, 06.28.21
Convincing Adeline, second sitting, work in progress, 15" x 11", painting pigments with graphite, on watercolor paper, 06.26.21
Convincing Adeline, first sitting, work in progress, 15" x 11", painting pigments with graphite, on watercolor paper, 06.25.21
The Spiritual Bodies of one's Composition, fourth sitting, FINAL IMAGE, 15" x 11", painting pigments with graphite, on watercolor paper, 06.24.21
The Spiritual Bodies of one's Composition, third sitting, work in progress, 15" x 11", painting pigments with graphite, on watercolor paper, 06.23.21
The Spiritual Bodies of one's Composition, second sitting, work in progress, 15" x 11", painting pigments with graphite, on watercolor paper, 06.22.21
The Spiritual Bodies of one's Composition, first sitting, work in progress, 15" x 11", painting pigments with graphite, on watercolor paper, 06.21.21
The Blessing, seventh sitting, work in progress, 15" x 11", painting pigments with graphite pencil, on watercolor paper, 06.20.21
The Blessing, sixth sitting, work in progress, 15" x 11", painting pigments with graphite pencil, on watercolor paper, 06.19.21
The Blessing, fifth sitting, work in progress, 15" x 11", painting pigments with graphite pencil, on watercolor paper, 06.18.21
The Blessing, fourth sitting, work in progress, 15" x 11", painting pigments with graphite pencil, on watercolor paper, 06.17.21
The Blessing, third sitting, work in progress, 15" x 11", painting pigments with graphite pencil, on watercolor paper, 06.15.21
The Blessing, second sitting, work in progress, 15" x 11", painting pigments with graphite pencil, on watercolor paper, 06.14.21
The Blessing, first sitting, work in progress, 15" x 11", painting pigments with graphite pencil, on watercolor paper, 06.13.21
God & John 7, finished image, 11" x 15", painting pigments with graphite, on watercolor paper, 06.12.21.
God & John 7, fourth sitting, unfinished work in progress, whole image, 11" x 15", painting pigments with graphite, on watercolor paper, 06.11.21.
God & John 7, third sitting, unfinished work in progress, whole image, 11" x 15", painting pigments with graphite, on watercolor paper, 06.10.21.
God & John 7, second sitting, unfinished work in progress, whole image, 11" x 15", painting pigments with graphite, on watercolor paper, 06.09.21.
God & John 7, first sitting, unfinished work in progress, whole image, 11" x 15", painting pigments with graphite, on watercolor paper, 06.09.21.
Spiritual Matter, four sittings, unfinished work in progress, 22" x 18", painting pigments with graphite, on watercolor paper, 06.08.21.
Intuition, finished, 22" x 15.5", painting pigments with graphite, on watercolor paper, 06.04.21.
Intuition, third sitting, unfinished work in progress, 22" x 15.5", painting pigments with graphite, on watercolor paper, 06.03.21
Intuition, second sitting, unfinished work in progress, 22" x 15.5", painting pigments with graphite, on watercolor paper, 06.02.21
Intuition, first sitting, unfinished work in progress, 22" x 15.5", painting pigments with graphite, on watercolor paper, 06.01.21.
God's Love in the Making, final image, 15" x 18", painting pigments with graphite, on watercolor paper, 05.31.21.
God's Love in the Making, third sitting, unfinished work in progress, 15" x 18", painting pigments with graphite, on watercolor paper, 05.30.21.
God's Love in the Making, first & second sittings, unfinished work in progress, 15" x 18", painting pigments with graphite, on watercolor paper, 05.29.21.
Love & Dragons, final image, fourth sitting, painting pigments with graphite, on watercolor paper, 05.28.21.
Love & Dragons, third sitting, whole image work in progress, 22" x 15 1/4", painting pigments with graphite, on watercolor paper, 05.27.21.
Untitled, second sitting, 22" x 15 1/4", painting pigments with graphite, on watercolor paper, 05.26.21.
Untitled, first sitting, 22" x 15 1/4", painting pigments with graphite, on watercolor paper, 05.25.21.
The Rishi With Courage, Final Image, fourth sitting, 22" x 15 1/4", painting pigments with graphite, on watercolor paper., 05.25.21.
The Rishi With Courage, third sitting, unfinished work in progress, 22" x 15 1/4", painting pigments with graphite, on watercolor paper, 05.24.21.
05.23.21 - The Rishi With Courage, second sitting, unfinished work in progress, 22" x 15 14". painting pigments with graphite, on watercolor paper.
05.22.21 Untitled, first sitting, 22" x 15 1/4", painting pigments and graphite, on watercolor paper.
05.21.21 - The Dragon Umbrella, fourth sitting, finished, painting pigments with graphite, on watercolor paper.
05.20.21 The Dragon Umbrella, third sitting, 18 1/4" x 24", painting pigments with graphite, on watercolor paper.
05.19.21 - The Dragon Umbrella, second sitting, 18 1/4" x 24", painting pigments with graphite, on watercolor paper.
05.19.21 - First Sitting - untitled, work in progress, 18 1/4" x 24", painting pigments with graphite, on watercolor paper.
05.18.21 The Vega Dragon & The Book of Love, work in progress, 13" x 9", painting pigments with graphite, on watercolor paper.
05.17.21 - Vega, first sitting, work in progress, 13" x 9", painting pigments with graphite, on watercolor paper.
05.13.21 - Finished, Degrees of Reflection, and Self-Realization, painting pigments and graphite, on watercolor paper.
05.12.21 Degrees of Reflection, painting pigments and graphite, on watercolor paper.
05.09.21 Elom & The Promotion, whole image, painting pigments and graphite on watercolor paper.
05/07/21 Final Image: Rapture & The Girl with the Invisible Triangle, graphite with painting pigments on drawing paper.
05/05/21 - First Sitting: Rapture & the Girl with the Invisible Triangle, graphite with painting pigments, on
drawing paper.
05/04/21 - Final Image (4 sittings), The Master & The Mermaid, 8 3/4" x 12", ultramarine blue powdered pigment with graphite, on watercolor paper.